Unexpected.

I read a study about sex. The idea was the more sex you had, the more sex you wanted.

I guess shooting is similar. The more I shoot the more I want to. The catch is, it has to be good. A bad shoot can bring me low for days, a good shoot gives me a rush that makes me want to do it again. Maybe it’s more like drugs. I don’t know. It definitely improves my mood when it works. Some shoots never work despite planning it for ages. It just doesn’t translate. Oddly, my best shoots have been virtually spur of the moment with little planning. I don’t like to think about it.

I sell some of my images through Getty, only of myself or the kids – basically images that would just be sitting on my hard drive doing nothing so I figure if they’re just doing nothing they may as well be earning me some money every now and then. The best seller? It’s a photo of me that you can only see my legs on and I’m holding a bunch of balloons. I took it spur of the moment one year on B’s birthday. I was putting together all these helium balloons for her party and decided to quickly set up the camera, snapped a shot and gave it a slap up edit.

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I didn’t even have a backdrop. I’m standing between less than a metre of space between two doors that I edited out. When it sells it gives you the name of the company, sometimes you can find the image through reverse Google search. It has been bought by Samsung, by a French magazine, it’s on a German book cover… One of the quickest spur of the moment images I ever took. It’s funny how that happens.

What I discovered about myself recently though is that while I consider myself a portrait photographer, I don’t really shoot people. I shoot landscapes or props that happen to feature people. It’s why I can’t do headshots. People just aren’t the sole feature of my photographs. It’s weird how it has taken me almost 8 years to figure that out.

After it rained last time I decided to do a series with my girls. Different locations, nature, same white dress….

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I took J out spur of the moment the week after I shot B with S and B to help me. To be honest, this was not really anything like I envisioned.

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The favourite shot of mine was impromptu, I was busy piling dead leaves around J while she lay on the ground and this sprig of green leaves kept getting in the way. It was so ALIVE and vibrant that it sat in complete contrast to the muted browns, the dead and dying all around. I placed one over J’s heart.

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Hope.

The best ones are the ones you don’t know you’re going to take.

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Rain.

The day it rained a little I had things to do. I wanted to wash some clothes, clean the house and do the groceries. But I kept thinking about my camera. I stood in front of the kitchen table I was clearing while a couple of the kids were drawing in front of me. J looks up from her phone on the couch, “Are you okay?” she asks, “You look deep in thought.”
“I have an idea forming,” I answered slowly.
I turn to B in front of me, “Can you do your make up? I’m sorry. You’re going to get wet. And I need the kitchen chair.”
J, B and S all look at me wearing identical expressions of bewilderment.
“Why?” B asked, “It’s cold!”
“It will only be for a second. I need a photo.”

J asks to do B’s make up and S gets excited because in the six months she has been living with us I haven’t shot a thing. She can’t wait to see a shoot.

Twenty minutes later I’m going out the door. I’m wearing jeans and a plaid shirt that’s old and really shouldn’t be seen in public. My hair isn’t done. My phone needs charging. The clothes need washing. The floors were half swept.

I drive with purpose despite the fact I haven’t shot at this location in at least 7 years. I have no idea what I’ll find. It might rain. It’s midday. What am I doing?

I lie on a towel on the banks of the creek and get wet anyway. I pull up my jeans and wade into the water, mud between my toes and the stones slipping. Cars drive past honking their horns and I don’t care because there is only me and the viewfinder and a subject and everything else falls away.

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Every shutter click I know is perfect. I’ll barely need to touch these in post.

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I line up the banks so it’s straight, I expose on instinct.

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Muscle memory.

Finally I’m ready for the last shot. I know it won’t be perfect. I know it won’t be exactly what I have in my head. But I need to shoot it anyway or I will think about it all night. “One, two, three…fall.”

Submerged.

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Spark.

Your fingers pull at the threads of my soul.  They coax words from me like coddling flames from dusty coals.  I thought I was ashes and dust. A memory of a fire long burnt out.  But the words pour from my veins.  I write on slips of paper, in coffee stained notebooks.  I write on the wind and sky.  I write.  A flame flickers to life.  The words weaving the tapestry of our love.  The fire dances.  And I write.  And I write.